Most of his buildings were destroyed during World War II. Andrea di Pietro della Gondola, numit Palladio (n.30 noiembrie 1508, Padova – d. 19 august 1580, Vicenza) a fost unul din cei mai însemnați arhitecți ai renașterii în Italia de Nord, în secolul al XVI-lea. Two of the sons, Leonida and Orzzio, died during a short period of time in 1572, greatly affecting their father. Han blev født Andrea di Pietro della Gondola i Padova i republikken Venedig og blev sat i lære som stenhugger. Villa Foscari, also known as "La Malcontenta" for the name of the suburban village near Venice where it is located, faces the Brenta Canal and for this reason, unlike his other villas, it faces south to the canal. [13], Palazzo Thiene (1542–1558), (begun by Giulio Romano, revised and completed by Palladio), Facade of the Basilica Palladiana (begun 1546), Ground floor and entrance stairway of the Basilica Palladiana, Upper level loggia of the Basilica Palladiana, Palazzo Chiericati (begun in 1550) was another urban palace, built on a city square near the port in Padua. Andrea di Pietro della Gondola (Palladio) (Padua, 30 november 1508 - Vicenza, 19 augustus 1580) was een Italiaanse architect.De naam Palladio (gegeven door zijn eerste opdrachtgever, Gian Giorgio Trissino) verwijst naar Pallas Athene, de Griekse godin van de wijsheid. His designs were based on practicality and employed few reliefs. Of the Villa Pisani, only the central structure of the original plan remains. The Palazzo Antonini in Udine, constructed in 1556, had a centralized hall with four columns and service spaces placed relatively toward one side. Palladio began to implement the classical temple front into his design of façades for villas. Une conversation avec Jean Louis Cohen, Directeur de L'Institut Français d'Architecture (I.F.A.) De naam Palladio (gegeven door zijn eerste opdrachtgever, Gian Giorgio Trissino) verwijst naar Pallas Athene, de Griekse godin van de wijsheid. The interior of the main hall has a barrel-vaulted ceiling lavishly decorated with murals of mythological themes. Another English admirer was the architect, Richard Boyle, 4th Earl of Cork, also known as Lord Burlington, who, with William Kent, designed Chiswick House. His patron, Gian Giorgio Trissino, died in 1550, but in the same year Palladio gained new supporter, the powerful Venetian aristocrat Daniele Barbaro. The books were translated into many languages, and went through many editions, well into the eighteenth and nineteenth century.[26]. Jones collected a significant number of these on his Grand Tour of 1613–1614, while some were a gift from Henry Wotton. Palladio placed niches in the walls of this salon, which were later filled with full-length statues of the ancestors of the owner. - De naam Palladio werd hem gegeven door zijn eerste opdrachtgever Gian Giorgio Trissino, als verwijzing naar Pallas Athene de Griekse godin van de Wijsheid. Andrea Palladio (született Andrea di Pietro della Gondola) (Padova, 1508. november 30. He used styles of incorporating the six columns, supported by pediments, into the walls as part of the façade. The villas very often had loggias, covered arcades or walkways on the outside of upper levels, which gave a view of the scenery or city below, and also gave variety to the facade. The Center for Palladian Studies in America, Inc. Behind the villa, Palladio created a remarkable nymphaeum, or Roman fountain, with statues of the gods and goddesses of the major rivers of Italy. The Villa Capra "La Rotonda" of 1552, outside Vicenza, was constructed as a summer house with views from all four sides. bio je talijanski arhitekt i teoretičar; obnovitelj antičkih tradicija u arhitekturi cinquecenta (visoke renesanse 16. vijeka Inside the central block, the piano nobile or main floor opened onto a loggia with a triple arcade, reached by a central stairway. 1560 ? He consolidated the various stand-alone farm outbuildings into a single impressive structure, arranged as a highly organized whole, dominated by a strong centre and symmetrical side wings, as illustrated at Villa Barbaro. [12], In his early works in Vicenza in the 1540s, he sometimes emulated the work of his predecessor Giulio Romano, but in doing so he added his own ideas and variations. He chose elements and assembled them in innovative ways appropriate to the site and function of the building. Andrea Palladio (/pəˈlɑːdioʊ/ pə-LAH-dee-oh, Italian: [anˈdrɛːa palˈlaːdjo]; 30 November 1508 – 19 August 1580) was an Italian Renaissance architect active in the Venetian Republic. The long facade was perfectly balanced. In 1552, the Palazzo Porto located in Vicenza was rebuilt incorporating the Roman Renaissance element for façades. It was constructed after the Palazzo della Ragione, but it was very different in its plan and decoration. [31] The Center for Palladian Studies in America, Inc., a nonprofit membership organization, was founded in 1979 to research and promote understanding of Palladio's influence in the architecture of the United States. 126 relaties. His buildings served to communicate, visually, their place in the social order of their culture. Documents show that he received a dowry in April 1534 from the family of his wife, Allegradonna, the daughter of a carpenter. It unites two classical forms, a circle and a Greek cross. Symmetrie en uitgebalanceerde verhoudingen vormen een wezenlijk aspect van zijn architectuur. [23] While he designed churches and urban palaces, his plans for villas and country houses were particularly admired and copied. [15], The success of the Basilica Palladiana propelled Palladio into the top ranks of the architects of Northern Italy. His early works include a series of villas around Vicenza. In 1844, a new tomb was built in a chapel dedicated to him in that cemetery. Villa Piovene, Chronologische lijst van Palladio's werken, CISA Centro Internazionale di Studi di Architettura Andrea Palladio, Over het nut en de dispositie van ruimtes in de villa's van Palladio, Stad Vicenza en de Palladiaanse villa's van Veneto, https://nl.wikipedia.org/w/index.php?title=Andrea_Palladio&oldid=57825372, Wikipedia:Lokale afbeelding anders dan op Wikidata, Creative Commons Naamsvermelding/Gelijk delen, Andrea di Pietro della Gondola (Palladio), Mediabestanden die bij dit onderwerp horen, zijn te vinden op de pagina. This idea was in direct coincidence with the rising acceptance of the theological ideas of St. Thomas Aquinas, who postulated the notion of two worlds existing simultaneously: the divine world of faith, and the earthly world of humans. Andrea Palladio (30. marraskuuta 1508 Padova, Venetsian tasavalta – 19. elokuuta 1580), tai Andrea di Pietro della Gondola, oli italialainen renessanssiarkkitehti, jota pidetään yhtenä vaikutusvaltaisimmista länsimaisen arkkitehtuurin historiassa.Esikuvinaan Palladio piti Vitruviusta ja … It was completed, with a number of modifications, by Vincenzo Scamozzi and inaugurated in 1584 with a performance of the tragedy Oedipus Rex by Sophocles. Born Andrea Di Pietro della Gondola, he was later named Palladio after the Greek goddess of wisdom. The four brick half-columns on the facade give a strong element of verticality, carefully balanced by the horizontal balustrades on the piano nobile, and on the projecting cornice at the top. These books, reprinted in different languages and circulated widely in Europe, secured his reputation as the most influential figure in the renewal classical architecture, a reputation which only continued to grow after his death. Apprenticed to a stonecutter in Padua when he was 13 years old, Andrea broke his contract after only 18 months and fled to the nearby town of Vicenza. Alongside the painter Paolo Veronese, he invented the complex and sophisticated illusionistic landscape paintings that cover the walls of various rooms.[37]. [2], His career was unexceptional until 1538–39; when he had reached the age of thirty, he was employed by the humanist poet and scholar Gian Giorgio Trissino to rebuild his residence, the Villa Trissino at Cricoli. [13], Cardinal Barbaro brought Palladio to Rome and encouraged him to publish his studies of classical architecture. He felt that to make an entry appear grand, the Roman temple front would be the most suitable style. [18], Detail of the Hall of Olympus, with frescoes by Paolo Veronese, Palladio's plan of the Villa in I quattro libri dell'architettura, 1570. Palladio also established an influential new building format for the agricultural villas of the Venetian aristocracy. He continued to compile and write his architectural studies, lavishly illustrated, which were published in full form in 1570 as I quattro libri dell'architettura (The Four Books of Architecture), in Venice. His first book, L'Antichida di Roma (Antiquities of Rome) was published in 1554. San Georgio Maggiore was later given a new facade by Vincenzo Scamozzi (1610), which integrated it more closely into the Venetian skyline. In the project of the Villa Barbaro, Palladio most likely was also engaged in the interior decoration. The rear facade facing the garden has a spacious loggia, or covered terrace, supported by independent columns, on both the ground level and above on the piano nobile. He illustrated a rich variety of columns, arcades, pediments, pilasters and other details which were soon adapted and copied. Behind the hemicycle of seats Palladio placed a row of Corinthian columns. In his urban structures he developed a new improved version of the typical early Renaissance palazzo (exemplified by the Palazzo Strozzi). They had been skilfully brought together by Brunelleschi in the Pazzi Chapel (1420) and the Medici-Riccardi Palace (1444–1449). His architectural works have "been valued for centuries as the quintessence of High Renaissance calm and harmony". [8][13], The front page of I quattro libri dell'architettura (The Four Books of Architecture) (1642 edition), The type of villa invented by Palladio at the Villa Cornaro (begun 1553), located at Piombino Dese near Padua, was a mixture of villa rustica (country house), designed for country living, and a suburban villa, designed for entertaining and impressing. The second book included Palladio's town and country house designs and classical reconstructions. Klasszikus szépségű, tiszta vonalvezetésű palotáival és villáival, a reneszánsz építészet legtermékenyítőbb hatású mesterévé vált. [28] His influence can also be seen in American plantation buildings. In another departure from traditional villas, the front doors lead directly into the main salon. His given name was Andrea di Pietro della Gondola, and his father was a humble miller. He did not construct the building from the ground up, but added two-story loggias to the exterior of an older building, which had been finished in 1459. Trissino was deeply engaged in the study of ancient Roman architecture, particularly the work of Vitruvius, which had become available in print in 1486. For the facade, Palladio made harmonious use of two levels of arcades with rounded arches and columns, which opened up the exterior of the building to the interior courtyard. XXXIV, Part 5/W12 pp121 – 126 2002, For the illusionistic landscape paintings and the relationship of Palladio and Veronese see, City of Vicenza and the Palladian Villas of the Veneto. Andrea di Pietro dalla Gondola, called Andrea Palladio, was born in Padua on Nov. 30, 1508. [8], Note: The first date given is the beginning of the project, not its completion. He became an assistant to a prominent stonecutter and stonemason, Giovanni di Giacomo da Porlezza in Pedemuro San Biagio, where he joined the guild of stonemasons and bricklayers. An example was the Palazzo Thiene in Vicenza, which Romano had begun but which, after Romano's death, Palladio completed. Leven en werk. De tekst is beschikbaar onder de licentie. [11], One of the first works by Palladio, Villa Godi (begun 1537), Hall of the Muses of the Villa Godi (1537–1542). Jefferson organized a competition for the first United States Capitol building. Andrea Palladio (geboortenaam; Andrea di Pietro della Gondola; 1508 Padua -1580 Vicenza) Andrea Palladio is de belangrijkste architect van de late renaissance in Italië. [36], In his later work, particularly the Palazzo Valmarana and the Palazzo del Capitaniato in Vicenza, his style became more ornate and more decorative, with more sculptural decoration on the facade, tending toward Mannerism. The building was not completed until 1617, after Palladio's death. He also visited and studied the Roman works in Tivoli, Palestrina and Albano [9][2], Trissino exposed Palladio to the history and arts of Rome, which gave him inspiration for his future buildings. These particular features originally appeared in the triumphal arches of Rome, and had been used in the earlier Renaissance by Bramante, but Palladio used them in novel ways, particularly in the facade of the Basilica Palladiana and in the Villa Pojana. Another variation, the Marble Bridge, was made for Empress Catherine the Great of Russia for her gardens at Tsarskoe Selo near Saint Petersburg, Russia. 27-mrt-2016 - ALGEMEEN Andrea Palladio, Italiaans architect, theoreticus en publicist. He had travelled to Rome in 1549, hoping to become a Papal architect, but the death of Pope Paul III ended that ambition. The original plan of Palladio had the upper level identical to the lower level, but the owners wanted more space for ceremonies, so the central section on the piano nobile was brought forward and given windows with decorative frontons, doubling the interior space. "Andrea Palladio. The building was centralized by a tripartite division of a series of columns or colonnades. Palladio begon zijn leven in Padua als Andrea di Pietro della Gondola. The central block is nearly square, with two low wings. They particularly inspired neoclassical architects in Britain and in the United States in the 18th and 19th centuries. Adapting a new urban palazzo type created by Bramante in the House of Raphael, Palladio found a powerful expression of the importance of the owner and his social position. On the reverse of building, the rounded gallery projects outward to the garden. The same reddish border outlines the pediment over the portico and the attic, and appears on the rear facade. Born Andrea Di Pietro della Gondola in Padua in 1508, the son of a miller, Andrea Palladio was lucky to be young enough to be unaffected by the warfare which struck the Veneto in the early years of 1500. When he was thirteen, his father arranged for him to be an apprentice stonecutter for a period of six years in the workshop of Bartolomeo Cavazza da Sossano, a noted sculptor, whose projects included the altar in the Church of Santa Maria dei Carmini in Padua. Andrea Palladio is best known for establishing an enduring tradition of classicism, not only in the Veneto during the High Renaissance but also through subsequent generations of classical architects who looked to the Palladian style for their architectural references. (built 1560–1564): Villa Mocenigo "sopra la Brenta". The front facade facing the road has the same plan but with narrower loggias. . Friedrich Gilly's work, the National Theatre in Berlin (1798), built for Frederick the Great. The Italian-born also Giacomo Leoni constructed Palladian houses in England. The facade features a particularly imposing classical portico, like that of the Pantheon in Rome, placed before two tall bell towers, before an even higher cupola, which covers the church itself. The interior frescos were painted by Ludovico Dorigny in 1680–1687), and were not part of Palladio's plan. The Massachusetts governor and architect Thomas Dawes also admired the style, and used it when rebuilding Harvard Hall at Harvard University in 1766. [13], Several other villas of this time are attributed to Palladio, including the Villa Piovene (1539) and Villa Pisani (1542). [29], Harvard Hall at Harvard University by Thomas Dawes (1766), Monticello, residence of Thomas Jefferson (1772), Winning design for the first United States Capitol Building by Thomas Thornton (1793). At the beginning of the High Renaissance in the early 16th century, Bramante used these elements together in the Tempietto in Rome (1502), which combined a dome and a central plan based on a Greek Cross. His villas were used by a capitalist gentry who developed an interest in agriculture and land. Please wait. Villa Badoer (1556–1563), an early use by Palladio of the elements of a Roman temple. Andrea Palladio Illustratie uit ''I quattro libri dell'architettura'' Andrea di Pietro della Gondola (Palladio) (Padua, 30 november 1508 – Vicenza, 19 augustus 1580) was een Italiaans architect. - De naam Palladio werd hem gegeven door zijn eerste opdrachtgever Gian Giorgio Trissino, als verwijzing naar Pallas Athene de Griekse godin van de Wijsheid. The most famous suburban villa constructed by Palladio was the Villa Capra "La Rotonda", not far from Vicenza, begun in 1566 for Count Paolo Almerico, the canon of Pope Pius IV and Pope Pius V. The site is on a gentle wooded hilltop, with views of the countryside in all directions. [7] In 1524, when his contract was finished, he moved permanently to Vicenza, where he resided for most of his life. Ta l-isem lil stil - l-istil Palladjan, li jżomm mal-prinċipji klassiko-rumani, kontra t-tiżjin rikk rinaxximentali.Palladio ppjana ħafna knejjes, vilel u palazzi, l-iżjed Vicenza, fejn trabba u għex, Venezja u fl-inħawi ta’ madwar. [20], Nave of San Giorgio Maggiore, Venice (1565), Interior of Il Redentore Church in Venice (1576), The Tempieto Barbaro, built at the end of his life, was one of his most accomplished works. He achieves a perfect balance between the circle and the cross, and the horizontal and vertical elements, both on the facade and in the interior. Liv. Palladio died on 19 August 1580, not long after the work was begun. Al vroeg, werd Andrea Palladio geïntroduceerd in het werk van het gebouw. In 1541, he made a first trip to Rome, accompanied by Trissino, to see the classical monuments first-hand. His first project in Venice was the cloister of the church of Santa Maria della Carità (1560–61), followed by the refectory and then the interior of the San Giorgio Monastery (1560–1562), His style was rather severe compared with the traditional lavishness of Venetian Renaissance architecture. The final work of Palladio was the Teatro Olimpico in the Piazza Matteotti in Vicenza, built for the theatrical productions of the Olympic Society of Vicenza, of which Palladio was a member. They had four sons: Leonida, Marcantonio, Orazio and Silla, and a daughter, Zenobia. Andrea Palladio (s pravim imenom Andrea di Pietro della Gondola), italijanski renesančni arhitekt, * 30. november 1508, Padova, † 19. avgust 1580, Maser blizu Trevisa Biografija. Andrea Palladio received his first commission in the city of Venice from the Patriarch Vincenzo Diedo to re-build the facade and interior of St Pietro, but Diedo's death delayed the project. The first book includes studies of decorative styles, classical orders, and materials. It consists of an arched window flanked by two smaller square windows, divided by two columns or pilasters and often topped by a small entablature and by a small circular window or hole, called an oculus. Palladio created an architecture which made a visual statement communicating the idea of two superimposed systems, as illustrated at San Francesco della Vigna. Many of his buildings are of brick covered with stucco. [14], The Palazzo del Capitaniato, the offices of the Venetian governor of the region, is a later variation on the urban palace, built in Vicenza facing the Basilica Palladiana, and the finest of his late urban palaces. The earliest of his villas is generally considered to be the Villa Godi (begun 1537). From an early age, Andrea Palladio was introduced into the work of building. Palladio was born on 30 November 1508 in Paduaand was given the name Andrea di Pietro della Gondola. The more rustic functions of the house were carried on in the adjoining wings. [34], Clarity and harmony. [6] Bartolomeo Cavazza is said to have imposed particularly hard working conditions: Palladio fled the workshop in April 1523 and went to Vicenza, but was forced to return to fulfil his contract. [21], Section of the Tempietto Barbaro, drawn by Scamozzi (1783). Palladio is known as one of the most influential architects in Western architecture. Andrea Palladio Illustratie uit ''I quattro libri dell'architettura'' Andrea di Pietro della Gondola (Palladio) (Padua, 30 november 1508 – Vicenza, 19 augustus 1580) was een Italiaans architect. It had a particularly famous feature, the Palladio Bridge, designed around 1736. Andrea di Pietro della Gondola (Palladio) (Padua, 30 november 1508 – Vicenza, 19 augustus 1580) was een Italiaanse architect. [32], The basic elements of Italian Renaissance architecture, including Doric columns, lintels, cornices, loggias, pediments and domes had already been used in the 15th century or earlier, before Palladio. A colonnade of Corinthian columns surrounded a main court. The main living quarters of the owner on the second level were clearly distinguished in importance by use of a pedimented classical portico, centered and raised above the subsidiary and utilitarian ground level (illustrated in the Palazzo Porto and the Palazzo Valmarana). The building was especially influential, particularly in England and the United States, where it inspired "Neo-Palladianist" buildings such as Mereworth Castle (1724) in Kent and Thomas Jefferson's Montecello in Virginia (1772). ", "City of Vicenza and the Palladian Villas of the Veneto", Centro Internazionale di Studi di Architettura Andrea Palladio, "The US Congress: 'Palladio, the Father of American Architecture, http://www.kunstgeschichte-ejournal.net/329/1/Paolo_Veronese%2C_Andrea_Palladio_und_die_Stanza_di_Baco.pdf, Palladio Centre and Museum in Vicenza, Italy, Official Website of the 500 Years Exhibition in Vicenza – Italy (2008), Quincentenary of Andrea Palladio's birth – Celebration Committee, Andrea Palladio: His Life and Legacy, at the Royal Academy, review, The Telegraph, 2 February 2009, David Linley on the influence of Andrea Palladio, How I Spent A Few Days in Palladio's World, The Wall Street Journal, 3 March 2009, All He Surveyed, Paul Goldberger, The New Yorker, 30 March 2009, Principles of Palladio's Architecture: II, Journal of the Warburg and Courtauld Institutes, 1945, Nature and Antiquity in the Work of Andrea Palladio, Journal of the Society of Architectural Historians, September 2000, Digital images of 1721 and 1742 edition of The architecture of A. Palladio, Rare Book and Special Collections Division, Andrea Palladio Architecture on Google Maps, Le fabbriche e i disegni di Andrea Palladio : raccolta ed illustrati", https://en.wikipedia.org/w/index.php?title=Andrea_Palladio&oldid=997915890, Articles needing additional references from November 2019, All articles needing additional references, Articles with Italian-language sources (it), Articles with dead external links from October 2016, Articles with permanently dead external links, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, c. 1553: Villa Ragona Cecchetto, per Girolamo Ragona, Ghizzole di. House of the Director of the Royal Saltworks at Arc-et-Senans, by Claude Nicolas Ledoux (1775), La Rotonde customs barrier, Parc Monceau, by Claude Nicolas Ledoux, Palladian garden structure at Steinhöfel by David Gilly (1798), Palladio's work was especially popular in England, where the villa style was adapted for country houses. An open balustrade runs around the top of the interior wall, concealing the base of the dome itself, making it appear that the dome is suspended in the air. [38], "Palladio" redirects here. Andrea Palladio was born on 30 November 1508 CE in Padua, Italy. The suburban villa was a particular type of building, a house near a city designed primarily for entertaining. The original rigorous, perfectly balanced interior is the original work of Palladio. The configuration was a perfect architectural expression of their world view, clearly expressing their perceived position in the social order of the times. The upper and lower borders of the piano nobile clearly indicated on the facade by darker reddish bands of stone.
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